One hundred years after the birth of the great Polish filmmaker Andrzej Wajda, director Agnieszka Holland recalls – in her own words – their collaborations together and his support at a time when ...
Closing night film Black Burns Fast and special presentation Big Girls Don’t Cry will receive their UK premieres at the festival.
As the Scorsese and Tarantino-endorsed British crime thriller Strongroom is re-released in cinemas, we break open the history of the British heist film and make off with the goods.
Now forgotten, the middle-class domestic farce 29, Acacia Avenue flew the flag for risqué dialogue and saucy themes more than a decade before the first Carry On film.
The paper archives of Gurinder Chadha and Tina Gharavi reveal both filmmakers’ prodigious creativity and dedication to their craft, but also the challenges and pushbacks they’ve faced in a ...
The month ahead includes subscription exclusives for frenzied London thriller Odyssey, Benedict Cumberbatch fantasy drama The Thing with Feathers and Radu Jude’s sharp satire Kontinental ’25.
In our Spring 1960 issue, we evaluated the masterful debuts of two then-unknown filmmakers: Jean-Luc Godard’s Breathless and Eric Rohmer’s The Sign of Leo.
Pillion picks up three nominations, including for Outstanding British Film, while My Father’s Shadow and A Want in Her will also compete for Outstanding British Debut.
The New York documentarian behind the HBO series How To with John Wilson continues his captivating meanderings through the mundane with a feature-length meditation on concrete.
A new BFI Player collection of the London Critics’ Circle Top 20 launches today.
In Richard Linklater’s affectionate and stylish Nouvelle Vague, Guillaume Marbeck plays Jean-Luc Godard as he shoots Breathless, the film that kicked down the door for French New Wave filmmaking and ...
Filmed on the windswept fringes of Caithness and inspired by abandoned Scottish island communities, Louis Paxton’s debut – a world premiere at Sundance – blends surreal comedy, fantasy and family ...
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