In the 1850s, most people didn’t expect women to write serious music. Emilie Mayer didn’t let that stop her. Her String Quartet in G Minor is full of feeling—dramatic, graceful, and unforgettable.
Performances in N.Y.C. Advertisement Supported by The male soprano Samuel Mariño’s “Lumina,” a suite from Thomas Adès’s “The Tempest” and Ginastera’s string quartets are among the highlights. Samuel ...
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